The Remains of the Day

For several years, I have worked with the Campus Cuties as mutable figures through which I explore how privilege, influence, and proximity to authority are performed, maintained, and quietly normalized. The Remains of the Day marks a recent iteration of this ongoing engagement, consisting of the literal remnants of wax sculptures exhibited at Corridor 2122 in early 2024. What remains—fragmented, collapsed, and unresolved—becomes a meditation on impermanence, accumulation, and the slow erosion of once-dominant structures.

Wax figures, picket fencing, column. 2024.